IN the week with Teddy Kristiansen We worked with a lot of different assignments. Every day we had a new task, often with more or less a specific.
It was to build up small seniors focusing on characters: What would this character probably do in a specific situation? How Would a character act if they had a secret?
How would you graphically describe a character an the setting if it was a person in grief/happiness.
Style and style "development" is important for the story as much as the "acting" of the characters. If the character is sad - you shouldn't write it down- It should be written in how they act to one another. This works stronger in a graphical universe and seem more realistic.
Assignment one: I didn't finish it up. We had to pick a character from the comic book "house of secrets" and create a 1-2 page comic. I had an idea of an old man living in a forest. Early in the morning he goes out but finds the dead body of a young girl. Because the old man is not used to company and especially not with beautiful woman he decides to act like a gentleman.
He share his coffee and sandwich with the girl, watching the sun rise.
The assignment: A woman who lost her son in the war without mentioning the words; son, war, loss, dead ext. We had to do the same with a person who just fell in love. But this I didn't have time to finish up.
Based on a phrase from a famous person, in this case Sigmund Freud, we had to create a 1.2 pages comic based on this small fact. This is the first page of my 2 page comic, just so you can have an idea of the style. My fact was that Freud despites form years of self study was so terrified missing his trains that he would go to the station more than an hour before his departure...